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From Tradeweave Insight

February 14, 2001

Line of Sight: Dior's odd couple

Also spotted on the Web: Making sense of Fashion Week

BY RACHEL ELSON
Senior editor

NOTE: The following column originally ran as a weblog; the underlined text below originally denoted links to other stories on the Web.

In many ways the two men of Christian Dior seem completely antithetical: There's cerebral, reserved menswear designer Hedi Slimane, all sleek lines and elegant design, and racy, effusive womenswear designer John Galliano, the bad-boy Brit with a penchant for scandal (note the fuss created by last year's "homeless chic" couture collection). "Where Hedi sees simple shapes, John sees lavish layers," notes Time Europe. "Where Slimane sees minimalism, Galliano sees extravaganza." Does the pairing make sense? Time seems to question the house's "separate but equal" strategy, but Galliano pooh-poohs any notion of discord, saying he actually lobbied for Slimane's appointment: "I was rooting for him because I want something to wear."

Backstage at Fashion Week

Is it possible that Fashion Week coverage can actually be smarter on television than it is in print? "Fashion TV flips the standard media paradigm on its ear," notes the New York Observer; "in general, TV reporters ... can be more critical than their print colleagues ... because they are less beholden to advertisers. After all, while Gucci and Jil Sander advertise in glossy magazines, they're not buying spots on Metro." The Observer follows Metro Channel fashion reporter Judy Licht's blaze of Burberry to the Kenneth Cole and Carolina Herrera shows, and tries to figure out the significance of Fashion Week in general and the Cole show in particular. "Here is a summary," the Observer notes: "Clothes, clothes, clothes, clothes, clothes, clothes, big belt, clothes ..."

Also in the Observer: An Onion editor finds himself adrift at Shoshanna Lonstein's bathing-suit show ; and Simon Doonan pronounces the season's menswear looks trés sauvage.

PETA peeved at Puffy line

Oops, he did it again. Representatives for Sean "Puffy" Combs' Sean John line apparently assured People for the Ethical Treatment of Animals activists last week that the rap mogul and designer had abandoned the use of fur in his latest collection, notes Sonicnet: "Puffy has evolved, and his clothing line has matured with him," Sean John publicist Hampton Carney said Friday. "That's why he's no longer featuring fur on himself or in his clothing line." Or perhaps not. The collection's weekend debut showed that it indeed had all the trimmings of his previous lines, with items that included a mink kimono with fox fur trim, a lamb-suede sweat suit with lynx-tail scarf and an ostrich trench coat. PETA is apparently up in arms at the deception, especially since it had called off a planned protest at Puffy's assurances. "Now it seems that [Combs] will remain a Neanderthal," said PETA publicity chief Lisa Lange.

Fitting to a T

It's not just for teenagers anymore: "Crossing cultures, generations and even tax brackets, the lowly T-shirt is being rethought and reworked -- not to mention being snapped up at the cash register," reports the Chicago Tribune. Everybody's doing it -- from Dolce & Gabbana (who are designing T-shirts imprinted with old-school images of fave client Madonna) to Target. Designers taking cues from the '70s and '80s are putting tops with a "flash-and-trash" edge out on the runways, says Nordstrom fashion director Gregg Andrews, but it's a look that translates easily to the real world: "It is an affordable, accessible fashion trend for mainstream women."

From Tradeweave Insight